{"id":13531,"date":"2026-04-28T07:38:47","date_gmt":"2026-04-28T07:38:47","guid":{"rendered":"https:\/\/busondakika.com.tr\/?p=13531"},"modified":"2026-04-28T07:38:48","modified_gmt":"2026-04-28T07:38:48","slug":"gelenekten-moderniteye-uzanan-bir-hikaye-karagoz-beyoglunda","status":"publish","type":"post","link":"https:\/\/busondakika.com.tr\/?p=13531","title":{"rendered":"Gelenekten moderniteye uzanan bir hik\u00e2ye: \u201cKarag\u00f6z Beyo\u011flu\u2019nda\u201d"},"content":{"rendered":"<p> <strong>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Ali Sami\u2019nin II.Me\u015frutiyet d\u00f6neminde kaleme ald\u0131\u011f\u0131\u00a0<em>\u201cKarag\u00f6z Beyo\u011flu\u2019nda\u201d<\/em>\u00a0adl\u0131 eseri okurlarla bulu\u015fturuyor. Geleneksel perdenin s\u0131n\u0131rlar\u0131n\u0131 a\u015f\u0131p yaz\u0131l\u0131 k\u00fclt\u00fcre ad\u0131m atan Karag\u00f6z, bu kez modernle\u015fen \u0130stanbul\u2019un \u0131\u015f\u0131lt\u0131l\u0131 ve tekinsiz labirenti Beyo\u011flu\u2019nda kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.\u00a0\u00a0<\/strong><\/p>\n<p>VBKY\u2019nin edebiyat kitapl\u0131\u011f\u0131, Ali Sami imzas\u0131n\u0131 ta\u015f\u0131yan, Veli \u0130nce ve Fatih Altu\u011f\u2019un yay\u0131na haz\u0131rlad\u0131\u011f\u0131\u00a0<em>\u201cKarag\u00f6z Beyo\u011flu\u2019nda\u201d<\/em>\u00a0adl\u0131 eserle geni\u015flemeye devam ediyor.\u00a0Ali Sami bu \u00e7al\u0131\u015fmada, geleneksel bir fig\u00fcr\u00fc modern roman\u0131n imk\u00e2nlar\u0131yla yeniden kurarken; onu yaln\u0131zca bir mizah unsuru olarak de\u011fil, modernitenin cazibesi i\u00e7inde arzulayan, sars\u0131lan ve savrulan bir \u201cinsan\u201d olarak sahneye ta\u015f\u0131yor. II. Me\u015frutiyet d\u00f6neminde \u015fekillenen bu roman, d\u00f6nemin e\u011flence d\u00fcnyas\u0131n\u0131 ve toplumsal k\u0131r\u0131lmalar\u0131n\u0131 \u00e7arp\u0131c\u0131 bir atmosferle g\u00f6zler \u00f6n\u00fcne seriyor. Karag\u00f6z, ahlaki bir \u00e7\u00f6z\u00fcl\u00fc\u015fe ve psikolojik bir savrulu\u015fa s\u00fcr\u00fcklenirken, Hacivat ise onu eski d\u00fcnyas\u0131na ba\u011flayan son denge unsuru olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.\u00a0<em>\u201cKarag\u00f6z Beyo\u011flu\u2019nda\u201d<\/em>, eski ile yeninin, masumiyet ile sefahatin \u00e7arp\u0131\u015ft\u0131\u011f\u0131 trajikomik bir atmosferde, g\u00f6lge perdesinden matbuata hicret eden bir fig\u00fcr\u00fcn modern edebiyattaki yeniden do\u011fu\u015funu m\u00fcjdelerken okuru \u0130stanbul\u2019un e\u011flence ve d\u00f6n\u00fc\u015f\u00fcm haritas\u0131nda benzersiz bir ke\u015ffe davet ediyor. Geleneksel perdenin s\u0131n\u0131rlar\u0131n\u0131 a\u015farak yaz\u0131l\u0131 k\u00fclt\u00fcre ta\u015f\u0131nan Karag\u00f6z, bu kez\u00a0<em>\u201cKarag\u00f6z Beyo\u011flu\u2019nda\u201d<\/em>\u00a0roman\u0131nda modernle\u015fen \u0130stanbul\u2019un \u0131\u015f\u0131lt\u0131l\u0131 ama bir o kadar da tekinsiz labirenti Beyo\u011flu\u2019nda okurun kar\u015f\u0131s\u0131na \u00e7\u0131k\u0131yor. De\u011fi\u015fen \u0130stanbul\u2019un i\u00e7inde yeni anlamlar ve \u00e7eli\u015fkilerle y\u00fczle\u015fen bir fig\u00fcr olarak yeniden hayat buluyor.<\/p>\n<p><strong>Kitaptan:<\/strong><\/p>\n<p><em>\u201cKarag\u00f6z fig\u00fcr\u00fcn\u00fcn 1908 sonras\u0131 bas\u0131l\u0131 k\u00fclt\u00fcrdeki dola\u00ad\u015f\u0131m\u0131 Karag\u00f6z gazetesiyle s\u0131n\u0131rl\u0131 kalmam\u0131\u015f, hem s\u00f6zl\u00fc k\u00fclt\u00fcr\u00fcn \u00fcr\u00fcn\u00fc olan klasik Karag\u00f6z oyunlar\u0131 metne d\u00f6k\u00fclm\u00fc\u015f hem de Karag\u00f6z\u2019\u00fcn ana karakter oldu\u011fu roman ve hik\u00e2yeler yaz\u0131lm\u0131\u015ft\u0131r. Bu d\u00f6nemde, Karag\u00f6z yaln\u0131zca bir mizah gazetesinin sembol\u00fc de\u011fil, ayn\u0131 zamanda yaz\u0131l\u0131 anlat\u0131n\u0131n \u00f6nemli bir akt\u00f6r\u00fc h\u00e2line gelmi\u015ftir. \u00dcsk\u00fcdar\u2019da Karag\u00f6z Neler G\u00f6rm\u00fc\u015f, Karag\u00f6z\u2019\u00fcn Bek\u00e7ili\u011fi yahut Mahalle Bask\u0131n\u0131, Karag\u00f6z\u2019\u00fcn Ba\u015f\u0131na Gelenler yahut Bah\u00e7e Sa\u00adfas\u0131, Karag\u00f6z\u2019\u00fcn Yalova Safas\u0131, Karag\u00f6z\u2019\u00fcn Gelin Olmas\u0131, Karag\u00f6z\u2019\u00fcn Sandalc\u0131l\u0131\u011f\u0131 yahut Ka\u011f\u0131thane\u2019de Dayak Yemesi ve Karag\u00f6z Evleniyor gibi eserler, bu fig\u00fcr\u00fcn edeb\u00ee metinlerde nas\u0131l \u00e7e\u015fitlendi\u011fini ve hik\u00e2yele\u015ftirildi\u011fini g\u00f6steren \u00f6nemli \u00f6rneklerdir. Bu metinler, Ka\u00adrag\u00f6z\u2019\u00fcn klasik konu\u015fma yap\u0131s\u0131na dayanan do\u011fa\u00e7lama anlat\u0131s\u0131n\u0131 yaz\u0131l\u0131 forma ta\u015f\u0131yarak, hem gelene\u011fin bir devam\u0131 olmu\u015flar hem de bas\u0131l\u0131 k\u00fclt\u00fcr\u00fcn yeni dinamiklerine uyarlanm\u0131\u015flard\u0131r\u2026 Bu eserlerin bas\u0131m\u0131 ve yayg\u0131nla\u015f\u00admas\u0131, Karag\u00f6z\u2019\u00fcn yaln\u0131zca sahne ve gazetelerde de\u011fil, roman ve k\u0131sa anlat\u0131lar yoluyla da Osmanl\u0131 okur kitlesine ula\u015fan bir fig\u00fcr h\u00e2line geldi\u011fini ortaya koymaktad\u0131r. B\u00f6ylece, s\u00f6zl\u00fc gelene\u011fin en \u00f6nemli karakterlerinden biri, modern yay\u0131nc\u0131l\u0131\u011f\u0131n sundu\u011fu yeni ifade imk\u00e2nlar\u0131yla birle\u015ferek edebiyat\u0131n farkl\u0131 t\u00fcrleri i\u00e7inde ken\u00addine kal\u0131c\u0131 bir yer edinmi\u015ftir.\u201d<\/em><\/p>\n<p><strong>Yazar Hakk\u0131nda;<\/strong><\/p>\n<p>Osmanl\u0131 matbuat d\u00fcnyas\u0131n\u0131n k\u00f6kl\u00fc ailelerinden birine mensup olan Ali Sami, Matbaa-i Osmaniye m\u00fcd\u00fcrlerinden Bekir Sami\u2019nin o\u011flu ve gazeteci Mahmut Nedim\u2019in karde\u015fidir. Matbaac\u0131l\u0131k ve yay\u0131nc\u0131l\u0131k gelene\u011fi i\u00e7inde yeti\u015fen yazar, 20. y\u00fczy\u0131l\u0131n ba\u015f\u0131ndaki Osmanl\u0131 mizah bas\u0131n\u0131nda hem yazar hem de yay\u0131nc\u0131 olarak aktif rol \u00fcstlenmi\u015ftir. Ali Sami, d\u00f6nemin dikkat \u00e7eken mizah yay\u0131nlar\u0131ndan\u00a0<em>Perde\u00a0<\/em>ve\u00a0<em>Geveze\u00a0<\/em>dergilerinin kurucu kadrosunda yer alm\u0131\u015f;\u00a01911-1913\u00a0y\u0131llar\u0131 aras\u0131nda yay\u0131mlanan\u00a0<em>Perde\u00a0<\/em>dergisinin hem mesul m\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fc hem de ba\u015fmuharrirli\u011fini y\u00fcr\u00fctm\u00fc\u015ft\u00fcr. Ayn\u0131 zamanda bir d\u00f6nem Karag\u00f6z gazetesinin mesul m\u00fcd\u00fcrl\u00fc\u011f\u00fc g\u00f6revini de \u00fcstlenerek geleneksel T\u00fcrk tiyatrosunun fig\u00fcrlerini bas\u0131n d\u00fcnyas\u0131na ta\u015f\u0131m\u0131\u015ft\u0131r. Yazar\u0131n en \u00f6nemli eserlerinden biri olan\u00a0<em>Karag\u00f6z Beyo\u011flu\u2019nda<\/em>, Karag\u00f6z fig\u00fcr\u00fcn\u00fcn s\u00f6zl\u00fc gelenekten yaz\u0131l\u0131 k\u00fclt\u00fcre ve geni\u015f anlat\u0131 formlar\u0131na ge\u00e7i\u015finin en \u00f6zg\u00fcn \u00f6rneklerinden biri kabul edilir. Yazar\u0131n eski harfli T\u00fcrk\u00e7e yay\u0131mlanm\u0131\u015f di\u011fer eserleri aras\u0131nda;\u00a0<em>Karag\u00f6z Bulgaristan\u2019da<\/em>,\u00a0<em>Karag\u00f6z Otelde<\/em>,\u00a0<em>Karag\u00f6z Yatakta<\/em>,\u00a0<em>Karag\u00f6z Yunanistan\u2019da<\/em>,\u00a0<em>Karag\u00f6z\u2019\u00fcn \u00c7apk\u0131nl\u0131klar\u0131<\/em>,\u00a0<em>Karag\u00f6z E\u011fleniyor<\/em>,\u00a0<em>Karag\u00f6z Meyhanede\u00a0<\/em>ve\u00a0<em>Karag\u00f6z\u2019\u00fcn Zifaf Odas\u0131\u00a0<\/em>bulunmaktad\u0131r.<\/p>\n<p><strong>K\u00dcNYE<\/strong><\/p>\n<p><strong>Yay\u0131nevi: VBKY<\/strong><\/p>\n<p><strong>Kategori: Edebiyat \u00a0 \u00a0\u00a0<\/strong><\/p>\n<p><strong>Yazan: Ali Sami<\/strong><\/p>\n<p><strong>Haz\u0131rlayanlar: Veli \u0130nce, Fatih Altu\u011f<\/strong><\/p>\n<p><strong>Kitab\u0131n ad\u0131:\u00a0Karag\u00f6z Beyo\u011flu\u2019nda<\/strong><\/p>\n<p><strong>Proje ve Kitap Edit\u00f6r\u00fc: Hazal Bozyer \u00a0<\/strong><\/p>\n<p><strong>Kapak ve Sayfa Uygulama: Faruk \u00d6zcan \u00a0<\/strong><\/p>\n<p><strong>Son Okuma: Berna Ak\u00e7a\u00a0<\/strong><\/p>\n<p><strong>Sayfa say\u0131s\u0131: 504<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131 (VBKY), Ali Sami\u2019nin II.<\/p>\n","protected":false},"author":1,"featured_media":13532,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-13531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"_links":{"self":[{"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/13531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13531"}],"version-history":[{"count":1,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/13531\/revisions"}],"predecessor-version":[{"id":13533,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/13531\/revisions\/13533"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=\/wp\/v2\/media\/13532"}],"wp:attachment":[{"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/busondakika.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}